![]() which in turn is always equivalent to G7(b9) without the root.) (Note = D dim 7 = F dim 7 = Ab dim7 = B dim7. To get to that we have to use the major scale and add one note (also known as the "bebop" scale): In musical language we would say "C major", the I chord, for "home" and "G dominant", the V chord, for "away". They would be called "home" and "away" (or "release" and "tension"). Imagine that you harmonized the major scale in such a way that you have only two chords. ![]() Let's start with the usability right away : I'm not asking for a free lesson or anything like that, but I'm curious in what -practical- way this book has changed your comping (so it's basically about usability of the method). What makes this book or method so good? Maybe you could give some examples. So before blindly buying another book I was wondering if you could tell us why this book had such a big impact on your comping or harmonic awareness. After buying quite a few books on comping and voice leading it really hasn't changed my playing to anything that sounds 'professional'. I know most of the guitar (comping) chord voicings and I get by, but it sounds really vanilla or plain. ![]() I have trouble adding interest, motion or spice to my own comping. On your site you specifically say that your comping has radically improved/changed since you discovered the book "The Barry Harris Harmonic Method for Guitar".
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